[quote author="SoOCOwner" date=1245829874][quote author="icey" date=1245827025]LA city is known for being a disorganized hodge-podge of lax zoning and poor urban planning gone all wrong. But scattered around the city, are hidden landmarks and architectural wonders, in the most unexpected and forgotten about places. I've spent hours browsing the Big Orange Landmarks blog, and am simply amazing at some of the preserved houses from the late 1880s and 1920s. Some of the post cards from the era make the place look like an absolute paradise.
You would never have guessed a Euro-styled estate like this, with rich wood interior, would be found within the LA City limits:
http://bigorangelandmarks.blogspot.com/2009/04/no-230-villa-maria.html
Here's an unoccupied Los Feliz home designed by the one and only, Frank Lloyd Wright, it seems taken straight out of the ancient world:
http://laplaces.blogspot.com/2009/03/los-feliz-frank-lloyd-wright-houses.html
BK's threads regarding what makes a good house work, and the history of the different eras of home design really sparked my interest in architecture, so I thought I'd share this blog here as it has some really neat finds. Venice Beach, though not for everybody, still has this spirit of creativity alive and well, creating residences that are works of art with alot of soul.</blockquote>
Wow, the first one is absolutely beautiful! While I can appreciate the architecture of the second one, it looks to me like a cross between a mausoleum, a Mayan temple and a prison!</blockquote>
<img src="http://4.bp.blogspot.com/_CULWYCEvos0/SbCjvge3-pI/AAAAAAAACfs/p2Z9jJtGVuk/s400/los+feliz+029.JPG" alt="" />
This house suffered extensive damage due to land erosion on the hillside. The retaining wall was added to strengthen the site thus added to the Prison like fortressing. I have seen this home many time before the landslide. It's exterior was integrated with terrace gardens and not so much concrete foundation and hardscape.
Like Roehrig both were from the Chicago School. Masonry construction was their strong statement. Roehrig used random size stones and boulders while Wright could not stand the random nature of different size stone and texture. He wanted his creation to be a part of the hillside by blending in like the faces carved on the face of the granite at Mount Rushmore.
He took earth from the excavated site and mixed in earth with concrete to cast his own concrete blocks. The block color is exactly the color of the hills. He was anal about perfect order that every block was exactly 18"x18". The 18" dimension was the building module. Every room in the house was deterimined by the full block thus their sizes were measured in 18" increments and never in a fractional block size. The wall thickness has to be either 18", 3' or 4-6" and so on. Room sizes also were in exact 18" increments to receive the full blocks.
<img src="http://4.bp.blogspot.com/_CULWYCEvos0/SbCkNH01aeI/AAAAAAAACgU/hcbQuXYAGCY/s400/los+feliz+038.JPG" alt="" />
The ceilings and building height were also determined by the increments of 18"inches. Window location have to be between full blocks in both horizontal and vertical direction.
Every block joint has to align with interior walls and cabinet line. Kitchen counter was 2 block high and upper cabinets were from the 4th block to the 6th block.
<img src="http://1.bp.blogspot.com/_CULWYCEvos0/SbCk0ldEbaI/AAAAAAAAChE/kcpFS_IN4uQ/s400/los+feliz+052.JPG" alt="" />
Look at the picture posted. His sofa cushion was one block high 18" and the sofa back was 2 block high 3'. Every (3) 6 inch steps aligned with one block vertically. He designed his torchire 4 block high. Bottom of his lamp shade was 3 block high. His dining table was designed 6 block long 9' and 3 block wide 4'-6". The dining chairs one block 18" to the cushion and 3 blocks at the back (4'-6"). This was why FLW chairs have a taller back. Place mats were also one block wide. Knife, fork, and spoon lined up end to end also equal to one block dimension. Napkins was designed one block wide and folded into 3 equal sections to match the flatware dimension. A toilet was 2 block deep x 1 block width x 1 block tall. Bed width also aligned with the vertical block joints. The distance between 2 beds was 3 blocks.
<img src="http://2.bp.blogspot.com/_CULWYCEvos0/SbCnFSf6MYI/AAAAAAAACh8/SvfcEc1yFz0/s400/los+feliz+048.JPG" alt="" />
He even designed the stationary with the Mayan Block motif as well as the Kimonos for the owners in the block modules. Chasing the block joints was a nightmare in both design and construction tolerance. Everyone could tell if construction was off by 1/2 " missing the joint alignment. It was a mathematical triumph and perfection.
I hope you all will follow my course and have the trained eyes to recognize the merit of good design.